Sunday, September 20, 2020

USING COLOR TO TELL A STORY



Color theory is an important element of art. When it comes to comic books, color has been used in several ways. In the early days it was used to bring excitement to crudely drawn images. In more recent years, it's been used much differently, especially since the invention of digital color and printing. I use color in many ways. For example, grey images are used for flashback sequences and montages.

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Visitations 1 began with a flashback to 
Turn Of The Century Chicago

Clayton Blackwood narrated a montage in
Visitations issue 4

I took color storytelling to another level in Visitations 3: Mayhem At The Levee. When the story begins the color is a greenish grey. This is meant to show that, not only is a flashback taking place ( since the story begins in the 1920's) but the unsavory side of Chicago is emphasized.


When the readers reach the infamous Red Light District of Chicago, known as the Levee, the colors of red, orange, and yellow are added to the dull green. These colors serve 2 functions: to make the streetwalkers stand out in an aggressive way, and to symbolize the color of  Hell, emphasizing the sin that takes place in the area.


When we reach the bordello known as the La Plume Coloree, the story goes into full color. These colors skew red since we have fully entered Hell and a land of sin.


Once events start taking place in the cat house, the colors shift again, from a non-descript background color to deep red and black. This is meant to invoke aggression and danger as scary things begin to happen.


We then move to a flashback to the Great Chicago Fire and the colors are different shades of orange to represent the glow of the flames.


After the fire as the city, and Clawdia Byrd's relationship, cools the color shifts from orange to blue.


Color in comics can be representative of emotions and events. It is an essential element when it comes to telling a story. When using color it's important for the artist to not only think of what the world looks like, but what it feels like. 



Order a free PDF of Visitations 1 by emailing us here: visitationscomicbook@gmail.com


Saturday, September 5, 2020

COSPLAYER SPOTLIGHT

 2020 has seen many things put on hold. If you are comic book fan, there have been no conventions since the end of February. In addition, movies like Black Widow and Wonder Woman 1984 have  been delayed. In the spirit of the things not seen this year, I'd like to share a memory of both an event and of Wonder Woman.

One of my favorite things about tabling at comic book conventions is seeing all of the wonderful cosplayers. I'm always so impressed by the care and the workmanship that goes into the costumes that people make. There are some that really stand out.


Last August I attended Wizard World Chicago. As I looked into the crowd of people walking through the convention I was struck by a tall woman who was a dead ringer for the Linda Carter Wonder Woman.





The cosplayer is professional model and burlesque artist Ruby Spencer. Ruby's specialty is retro pin-up poses, and had been recruited to help one of the vendors at the convention.





In addition to Wonder Woman, Ruby also came dressed as Zatana and 1960's Julie Newmar Catwoman.






These  outfits are but the tip-off the iceberg for this local Chicago model. Check out her social media sites: 

Fb: @rubyspencer
IG: @rubyspencerchi
Tiktok: @rubyspencerpinup


Order a free PDF of Visitations 1 by emailing us here: visitationscomicbook@gmail.com

Visitations Character Sketches and Plans

 One of the fun things about creating Visitations is designing the characters and settings. Some are inspired by real life people and place...